This film has its moments, but it’s not as compelling as the prequel.Īkshay does the bhai act with flamboyance and mojo. The background score (Pritam & Anupam Amod) pitches in dramatically. The heavy-duty dialogues (Rajat Aroraa) punch drama in the story, though at times too overbearing. The first part is more engaging thereon, the sluggish pace lacks the same dum. This is a love story of a gangsta, it does not reopen dons’ crime diaries. Milan Luthria captures the essence of the period, packed with characters living behind ‘dark shades’ with an even darker conscience. ![]() Suddenly, the dons drop their otherĭeadly dhandas to deal with crimes of passion instead (unbelievable!). The rogue turns Romeo with obsession, but she’s already Aslam’s chosen ‘item’. Their ‘ bhaihood’ is bullet-proof, only until years later when starlet Jasmine (Sonakshi) walks in and arrests Shoaib with her charm and gullibility. Shoaib picks up young Aslam (Imran) from the chawls and takes him under his wing. ![]() ![]() ![]() Of course, Mumbai city wrapped in glam, glory and blood-soaked crime files is still fancied by the bhais (“ Samundar ke baad Mumbai Shoaib se jani jaati hai!”). After Shoaib (Akshay) vanquishes his own gang-guru (in the prequel), he becomes the reigning mafioso with his terror squad spreading far and wide.
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